Xavier Kalck
Professeur des universités
CNU : SECTION 11 - LANGUES ET LITTERATURES ANGLAISES ET ANGLO-SAXONNES
Laboratoire / équipe
Publications
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"title_s":["« Image et contexte : effacement ou réappropriation, le cas Chris Marker / Susan Howe », Seminaire transversal Images et imaginaires des Amériques : art, littérature et histoire des représentations, Laboratoire CECILLE, Axe « Cultures aréales », aire « Les Amériques ». Co-responsables : Roberta Previtera et Xavier Kalck. 1er décembre 2023."],
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"title_s":["TABLE RONDE « ANTHONY BARNETT, POÈTE-TRADUCTEUR MULTILINGUE »"],
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"citationFull_s":"Xavier Kalck. « “All that’s left is pattern” : les pictogrammes iconoclastes d’Armand Schwerner », Le poème visuel dans les Amériques, XXe-XXIe siècles, Colloque international, jeudi 6, vendredi 7 et samedi 8 avril 2023, Université de Lille.. <i>Le poème visuel dans les Amériques, XXe-XXIe siècles</i>, Hélène Aji; Nathalie Galland; Paul-Henri Giraud; Anne Reynès-Delobel; Antonia Rigaud; Modesta Suárez, Apr 2023, Lille (FR), France. <a target=\"_blank\" href=\"https://hal.science/hal-04334370v1\">⟨hal-04334370⟩</a>",
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"citationFull_s":"Xavier Kalck. « Violence contenue et contenus domestiques chez Louis Zukofsky et Larry Eigner », Journée d'étude, Le domestique comme lieu de (re)production du politique. Espace domestique et violence, organisée par Hélène Cottet, Hélène Lecossois, Hélène Quanquin avec Xavier Kalck. Laboratoire CECILLE, Université de Lille, Vendredi 3 février 2023.. <i>Journée d'étude, Le domestique comme lieu de (re)production du politique. Espace domestique et violence.</i>, Hélène Cottet, Hélène Lecossois, Hélène Quanquin, Feb 2023, Lille (FR), France. <a target=\"_blank\" href=\"https://hal.science/hal-04334365v1\">⟨hal-04334365⟩</a>",
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"citationFull_s":"Noelle Cuny, Xavier Kalck. Modernist Objects. Clemson University Press, Seminal Modernisms Series / Liverpool University Press, 2020. ISBN: 978-1-949979-50-3.. 2020. <a target=\"_blank\" href=\"https://hal.science/hal-03931848v1\">⟨hal-03931848⟩</a>",
"title_s":["Modernist Objects. Clemson University Press, Seminal Modernisms Series / Liverpool University Press, 2020. ISBN: 978-1-949979-50-3."],
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"citationFull_s":"Xavier Kalck. La poésie américaine entre chant et parole : l’héritage objectiviste. Honoré Champion, Collection Littératures étrangères, Série Littérature nord-américaine, 2020. 294 pp.. <a target=\"_blank\" href=\"https://www.honorechampion.com/fr/champion/11290-book-08535356-9782745353566.html\"></a>, 2020, 9782745353566. <a target=\"_blank\" href=\"https://shs.hal.science/halshs-02904826v1\">⟨halshs-02904826⟩</a>",
"title_s":["La poésie américaine entre chant et parole : l’héritage objectiviste. Honoré Champion, Collection Littératures étrangères, Série Littérature nord-américaine, 2020. 294 pp.","Sing or Speak: American Poetry and the Objectivist Legacy"],
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"title_s":["The Mathematics of Robert Duncan and John Taggart’s Pythagoreanism"],
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"title_s":["“We Said Objectivist”. Lire les poètes Lorine Niedecker, George Oppen, Carl Rakosi, Charles Reznikoff, Louis Zukofsky, Paris, Sorbonne Université Presses, 2019. 296 pp."],
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"citationFull_s":"Xavier Kalck. \"Dissolution and Triviality in Louis MacNeice’s The Burning Perch\". <i>Memoranda to MacNeice: New Readings. Anne Goarzin, Clíona Ní Ríordáin (eds). Presses Universitaires de Rennes, 2019, pp. 115-125.</i>, 2019, 978-2-7535-5488-7. <a target=\"_blank\" href=\"https://shs.hal.science/halshs-02904864v1\">⟨halshs-02904864⟩</a>",
"title_s":["Dissolution and Triviality in Louis MacNeice’s The Burning Perch"],
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"citationRef_s":"<i>Wallace Stevens, Poetry, and France: “Au Pays de la métaphore”. Bart Eeckhout, Lisa Goldfarb, Juliette Utard (eds.). Editions rue d’Ulm.</i>, 2018",
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"title_s":["Parents ‘in the French Sense’: Wallace Stevens and Louis Zukofsky"],
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"title_s":["George Oppen's Poetics of the Commonplace"],
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"citationFull_s":"Xavier Kalck. First Reading of Lorine Niedecker’s ‘Popcorn can cover’(4). <i>Jacket2</i>, 2017, First Readings. Edited by Brian Reed, Craig Dworkin and Al Filreis. <a target=\"_blank\" href=\"https://shs.hal.science/halshs-02904927v1\">⟨halshs-02904927⟩</a>",
"title_s":["First Reading of Lorine Niedecker’s ‘Popcorn can cover’(4)"],
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"citationFull_s":"Xavier Kalck. Beyond the American Difficult Poem: Paul Celan’s ‘Du liegst’ in Modernist Revolutions: American Poetry and the Paradigm of the New. <i>Transatlantica. Revue d'études américaines/American Studies Journal</i>, 2017. <a target=\"_blank\" href=\"https://shs.hal.science/halshs-02904894v1\">⟨halshs-02904894⟩</a>",
"title_s":["Beyond the American Difficult Poem: Paul Celan’s ‘Du liegst’ in Modernist Revolutions: American Poetry and the Paradigm of the New"],
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"citationRef_s":"<i>Memoranda to MacNeice, International Symposium. Université Sorbonne Nouvelle – Paris 3</i>, Nov 2016, Paris, France",
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"title_s":["Dissolution in Louis MacNeice’s The Burning Perch"],
"authFullName_s":["Xavier Kalck"],
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"citationFull_s":"Xavier Kalck. Trivialization in Louis MacNeice’s The Burning Perch. <i>Journée d’étude consacrée au programme de littérature de l’agrégation d’anglais - Université de Rouen</i>, Oct 2016, Rouen, France. <a target=\"_blank\" href=\"https://shs.hal.science/halshs-02904935v1\">⟨halshs-02904935⟩</a>",
"title_s":["Trivialization in Louis MacNeice’s The Burning Perch"],
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"citationRef_s":"<i>Modernist Emotions. The second international conference of the French Society for Modernist Studies / Société d’études modernistes (SEM) Université Paris Ouest Nanterre</i>, Jun 2016, Nanterre, France",
"citationFull_s":"Xavier Kalck. ‘Having an Emotion’ after Modernism: (The) Reading Experience in Robert Creeley, Larry Eigner and Theodore Enslin. <i>Modernist Emotions. The second international conference of the French Society for Modernist Studies / Société d’études modernistes (SEM) Université Paris Ouest Nanterre</i>, Jun 2016, Nanterre, France. <a target=\"_blank\" href=\"https://shs.hal.science/halshs-02904957v1\">⟨halshs-02904957⟩</a>",
"title_s":["‘Having an Emotion’ after Modernism: (The) Reading Experience in Robert Creeley, Larry Eigner and Theodore Enslin"],
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"citationRef_s":"<i>Revue Française d'Etudes Américaines</i>, 2016, 147 (2), pp.44. <a target=\"_blank\" href=\"https://dx.doi.org/10.3917/rfea.147.0044\">⟨10.3917/rfea.147.0044⟩</a>",
"citationFull_s":"Xavier Kalck. L’effet de longueur dans un poème tardif de George Oppen. <i>Revue Française d'Etudes Américaines</i>, 2016, 147 (2), pp.44. <a target=\"_blank\" href=\"https://dx.doi.org/10.3917/rfea.147.0044\">⟨10.3917/rfea.147.0044⟩</a>. <a target=\"_blank\" href=\"https://shs.hal.science/halshs-02904887v1\">⟨halshs-02904887⟩</a>",
"title_s":["L’effet de longueur dans un poème tardif de George Oppen"],
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"title_s":["Iconoclasme de l’hypotypose dans les dernières œuvres de William Carlos Williams"],
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"title_s":["Quelle herméneutique pour une poésie de l’impersonnel ? L’exemple de l’Objectivisme : l’interprétation du texte-objet chez William Carlos Williams et Charles Reznikoff"],
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