Thomas Dutoit
Professeur des universités
CNU : SECTION 11 - LANGUES ET LITTERATURES ANGLAISES ET ANGLO-SAXONNES
Laboratoire / équipe
Contact
Publications
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"citationFull_s":"Thomas Dutoit. Oscillations; or, the Display of Affect in Mad Max. Fury Road\r\nPre-publication draft of paper that appeared in: Visual Worlds: The Aesthetics and Politics of Affect, dir. Isabelle Boof-Vermesse, Kornelia Slavova, Elena Dineva, Sofia University Press, 2018, 33-41. https://polis-publishers.com/kniga/visual-worlds-the-aesthetics-and-politics-of-affect-e-book/. 2020. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-02956827\">⟨hal-02956827⟩</a>",
"title_s":["Oscillations; or, the Display of Affect in Mad Max. Fury Road Pre-publication draft of paper that appeared in: Visual Worlds: The Aesthetics and Politics of Affect, dir. Isabelle Boof-Vermesse, Kornelia Slavova, Elena Dineva, Sofia University Press, 2018, 33-41. https://polis-publishers.com/kniga/visual-worlds-the-aesthetics-and-politics-of-affect-e-book"],
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"citationFull_s":"Thomas Dutoit. Apart from MacNeice. 2020. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-02956762\">⟨hal-02956762⟩</a>",
"title_s":["Apart from MacNeice"],
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"citationRef_s":"<i>Oxford Literary Review</i>, 2019, 41 (1), pp.68-87. <a target=\"_blank\" href=\"https://dx.doi.org/10.3366/olr.2019.0266\">⟨10.3366/olr.2019.0266⟩</a>",
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"citationFull_s":"Thomas Dutoit. \"Dare He Die, Dear Reader: obligasequence, éblouibélierséquence\". 2017. <a target=\"_blank\" href=\"https://hal.science/hal-01665852\">⟨hal-01665852⟩</a>",
"title_s":["Dare He Die, Dear Reader: obligasequence, éblouibélierséquence"],
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"citationRef_s":"<i>Orbis Litterarum</i>, 2014, Romanticism and Memory, 69 (2), pp.171-192. <a target=\"_blank\" href=\"https://dx.doi.org/10.1111/oli.12056\">⟨10.1111/oli.12056⟩</a>",
"citationFull_s":"Thomas Dutoit. Sheer Difference, or, Mining Mental Prospects in Lyrical Ballads(1798). <i>Orbis Litterarum</i>, 2014, Romanticism and Memory, 69 (2), pp.171-192. <a target=\"_blank\" href=\"https://dx.doi.org/10.1111/oli.12056\">⟨10.1111/oli.12056⟩</a>. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01127714\">⟨hal-01127714⟩</a>",
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"citationRef_s":"<i>Revue Française d'Etudes Américaines</i>, 2013, Mimesis in American Literature, 1 (135), pp.94-109",
"citationFull_s":"Thomas Dutoit. Just ... Mimesis: Jack Hitt's Act V. <i>Revue Française d'Etudes Américaines</i>, 2013, Mimesis in American Literature, 1 (135), pp.94-109. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01131625\">⟨hal-01131625⟩</a>",
"title_s":["Just ... Mimesis: Jack Hitt's Act V"],
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"citationFull_s":"Thomas Dutoit. Ruins; or the Being of Time as History in Elizabeth Bowen’s The Heat of the Day. <i>Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines</i>, 2012, Ruins. Colloque de la SEAC, Londres, novembre 2011, 43, pp.73-94. <a target=\"_blank\" href=\"https://dx.doi.org/10.4000/ebc.1322\">⟨10.4000/ebc.1322⟩</a>. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01127707\">⟨hal-01127707⟩</a>",
"title_s":["Ruins; or the Being of Time as History in Elizabeth Bowen’s The Heat of the Day"],
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"citationRef_s":"<i>Journal of Plant Ecology</i>, 2012, 5 (3), pp.287-293. <a target=\"_blank\" href=\"https://dx.doi.org/10.1093/jpe/rtr030\">⟨10.1093/jpe/rtr030⟩</a>",
"citationFull_s":"M Burylo, F Rey, Thomas Dutoit. Responses of five woody species to burial by marly sediment: the role of biomass allocation pattern flexibility.. <i>Journal of Plant Ecology</i>, 2012, 5 (3), pp.287-293. <a target=\"_blank\" href=\"https://dx.doi.org/10.1093/jpe/rtr030\">⟨10.1093/jpe/rtr030⟩</a>. <a target=\"_blank\" href=\"https://hal.science/hal-01335645\">⟨hal-01335645⟩</a>",
"title_s":["Responses of five woody species to burial by marly sediment: the role of biomass allocation pattern flexibility."],
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"citationRef_s":"<i>L'Atelier</i>, 2011, Reading Misreading, Vol. 3 (No 1), pp.37-68",
"citationFull_s":"Thomas Dutoit. Chain err-reading: Jane Eyre by Charlotte Brontë. <i>L'Atelier</i>, 2011, Reading Misreading, Vol. 3 (No 1), pp.37-68. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01119067\">⟨hal-01119067⟩</a>",
"title_s":["Chain err-reading: Jane Eyre by Charlotte Brontë"],
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"citationRef_s":"<i>Etudes Anglaises</i>, 2008, Genre(s), 61 (3), pp.340-49",
"citationFull_s":"Thomas Dutoit. Homo-hetero-phono-graphy: on Quentin Tarantino's _Pulp Fiction_. <i>Etudes Anglaises</i>, 2008, Genre(s), 61 (3), pp.340-49. <a target=\"_blank\" href=\"https://hal.science/hal-01127815\">⟨hal-01127815⟩</a>",
"title_s":["Homo-hetero-phono-graphy: on Quentin Tarantino's _Pulp Fiction_"],
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"citationRef_s":"Claire Fabre, Marc Amfreville. <i>Les formes de l'obsession dans la fiction anglaise et américaine</i>, Editions Michel Houdiard, pp.74-94, 2007, 2-912673-70-4",
"citationFull_s":"Thomas Dutoit. Speculations about the obsession with mastery in Jane Austen and Jacques Derrida. Claire Fabre, Marc Amfreville. <i>Les formes de l'obsession dans la fiction anglaise et américaine</i>, Editions Michel Houdiard, pp.74-94, 2007, 2-912673-70-4. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01588694\">⟨hal-01588694⟩</a>",
"title_s":["Speculations about the obsession with mastery in Jane Austen and Jacques Derrida"],
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"citationRef_s":"<i>Tropismes</i>, 2007, 14, pp.33-53",
"citationFull_s":"Thomas Dutoit. Cut to the Quick, les mains ensanglotées: the Quick and the Dead in Respect to Derrida. <i>Tropismes</i>, 2007, 14, pp.33-53. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01131618\">⟨hal-01131618⟩</a>",
"title_s":["Cut to the Quick, les mains ensanglotées: the Quick and the Dead in Respect to Derrida"],
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"citationRef_s":"<i>Tropismes</i>, 2004, Whither Theory? Où va la théorie ?, 12 (1), pp.87-114",
"citationFull_s":"Thomas Dutoit. Theory Impossible: Translation in the Transnational University. <i>Tropismes</i>, 2004, Whither Theory? Où va la théorie ?, 12 (1), pp.87-114. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01131613\">⟨hal-01131613⟩</a>",
"title_s":["Theory Impossible: Translation in the Transnational University"],
"authFullName_s":["Thomas Dutoit"],
"halId_s":"hal-01131613",
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"producedDateY_i":2004},
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"citationRef_s":"Adrienne Lezzi-Hafter. <i>Les pierres de l'offrande. Autour de l'oeuvre de Christoph W. Clairmont</i>, 2, Akanthus Verlag für Archäologie, pp.136-159, 2003, 3-905083-19-1",
"citationFull_s":"Thomas Dutoit. The Disappearance of the Dead From Real and Imaginary Epitaphs of Seventeenth and Eighteenth Century England. Adrienne Lezzi-Hafter. <i>Les pierres de l'offrande. Autour de l'oeuvre de Christoph W. Clairmont</i>, 2, Akanthus Verlag für Archäologie, pp.136-159, 2003, 3-905083-19-1. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01131615\">⟨hal-01131615⟩</a>",
"title_s":["The Disappearance of the Dead From Real and Imaginary Epitaphs of Seventeenth and Eighteenth Century England"],
"authFullName_s":["Thomas Dutoit"],
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"citationRef_s":"Max Duperray. <i>Le roman noir anglais dit 'Gothique'</i>, Ellipses, pp.20-28, 2000",
"citationFull_s":"Thomas Dutoit. Une cartographie du sublime au XVIIIe siècle. Max Duperray. <i>Le roman noir anglais dit 'Gothique'</i>, Ellipses, pp.20-28, 2000. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01588690\">⟨hal-01588690⟩</a>",
"title_s":["Une cartographie du sublime au XVIIIe siècle"],
"authFullName_s":["Thomas Dutoit"],
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"producedDateY_i":2000},
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"citationRef_s":"<i>Les Mystères de Mrs Radcliffe. The Mysteries of Udolpho revisited. Nouveaux essais sur Les Mystères d'Udolphe d'Ann Radcliffe (1794)</i>, 1999",
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"title_s":["Symbolic or Monetary Exchange: Money, Hospitality and the Home in Edith Wharton's _The House of Mirth_"],
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"citationRef_s":"<i>La Revue du GRAAT</i>, 1999, Ré-inventer le réel, 20, pp.221-255",
"citationFull_s":"Thomas Dutoit. After the Real. <i>La Revue du GRAAT</i>, 1999, Ré-inventer le réel, 20, pp.221-255. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01148612\">⟨hal-01148612⟩</a>",
"title_s":["After the Real"],
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"citationRef_s":"<i>Tropismes</i>, 1999, L'argent comme échange symbolique, 9, pp.113-136",
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"citationRef_s":"Presses Universitaires de Provence. <i>Les mystères de Mrs Radcliffe. The Mysteries of Udolpho revisited. Nouveaux essais. </i>, pp.139-162, 1999",
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"title_s":["The Spectralization of Servants in Ann Radcliffe's _The Mysteries of Udolpho_"],
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"citationRef_s":"Presses Universitaires de Clermont Ferrand; Centre de Recherches sur les Littératures Modernes et Contemporaines. <i>Poétiques de l'indéterminé: le caméléon au propre et au figuré </i>, pp.89-106, 1999",
"citationFull_s":"Thomas Dutoit. Pour une caméoléopoétique: Keats et Hazlitt. Presses Universitaires de Clermont Ferrand; Centre de Recherches sur les Littératures Modernes et Contemporaines. <i>Poétiques de l'indéterminé: le caméléon au propre et au figuré </i>, pp.89-106, 1999. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01588688\">⟨hal-01588688⟩</a>",
"title_s":["Pour une caméoléopoétique: Keats et Hazlitt"],
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"citationRef_s":"Wim Tigges. <i>Moments of Moment. Aspects of the Literary Epiphany</i>, 25, Rodopi, pp.85-100, 1999, Studies in Literature, 90-420-0636-6",
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"title_s":["Epiphanic Reading in Ann Radcliffe's The Mysteries of Udolpho"],
"authFullName_s":["Thomas Dutoit"],
"halId_s":"hal-01163536",
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"producedDateY_i":1999},
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"citationRef_s":"Valérie-Angélique Deshoulières. <i>Poétiques de l'indéterminé: le caméléon au propre et au figuré</i>, Presses Universitaires de Clermont Ferrand, pp.89-106, 1998, Littératures, 2-909880-35-4",
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"title_s":["Pour une caméléopoétique: Keats et Hazlitt"],
"authFullName_s":["Thomas Dutoit"],
"halId_s":"hal-01131723",
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"producedDateY_i":1998},
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"citationRef_s":"<i>Modern Language Notes</i>, 1994, 109 (5), pp.847-871",
"citationFull_s":"Thomas Dutoit. Re-specting the Face as the Moral (of) Fiction in Mary Shelley's _Frankenstein_. <i>Modern Language Notes</i>, 1994, 109 (5), pp.847-871. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01588696\">⟨hal-01588696⟩</a>",
"title_s":["Re-specting the Face as the Moral (of) Fiction in Mary Shelley's _Frankenstein_"],
"authFullName_s":["Thomas Dutoit"],
"halId_s":"hal-01588696",
"docType_s":"ART",
"producedDateY_i":1994},
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"citationRef_s":"<i>Mosaic -Winnipeg-</i>, 1994, 27 (3), pp.45-64",
"citationFull_s":"Thomas Dutoit. Rape, Crypt, Fantasm: Kleist's Marquise of O.... <i>Mosaic -Winnipeg-</i>, 1994, 27 (3), pp.45-64. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01588697\">⟨hal-01588697⟩</a>",
"title_s":["Rape, Crypt, Fantasm: Kleist's Marquise of O..."],
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"citationRef_s":"<i>Colloquia Germanica</i>, 1994, 27 (3), pp.225-254",
"citationFull_s":"Thomas Dutoit. Ghost Stories, The Sublime and Fantastic Thirds in Kant and Kleist. <i>Colloquia Germanica</i>, 1994, 27 (3), pp.225-254. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01148607\">⟨hal-01148607⟩</a>",
"title_s":["Ghost Stories, The Sublime and Fantastic Thirds in Kant and Kleist"],
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Bi-lingual edition of W. S. Merwin, Garden Time. Fanlac, 2022
Publication en septembre 2022
W. S. Merwin, Un temps au jardin, translation Thomas Dutoit and Cécile Roudeau, published by Editions Fanlac.
Cette publication contient notre traduction ainsi que l'intégralité de Garden Time (2016), avec notre essai "L'éblouissement de l'ombre: écrire à l'approche du crépuscule" ainsi que notre traduction de l'essai, "Le forêt de palmiers de W. S. Merwin," de Robert Becker.