Thomas Dutoit
Professeur des universités
CNU : SECTION 11 - LANGUES ET LITTERATURES ANGLAISES ET ANGLO-SAXONNES
Laboratoire / équipe
Contact
Publications
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"title_s":["Oscillations; or, the Display of Affect in Mad Max. Fury Road Pre-publication draft of paper that appeared in: Visual Worlds: The Aesthetics and Politics of Affect, dir. Isabelle Boof-Vermesse, Kornelia Slavova, Elena Dineva, Sofia University Press, 2018, 33-41. https://polis-publishers.com/kniga/visual-worlds-the-aesthetics-and-politics-of-affect-e-book"],
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"citationRef_s":"<i>Revue Française d'Etudes Américaines</i>, 2013, Mimesis in American Literature, 1 (135), pp.94-109",
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"citationRef_s":"<i>L'Atelier</i>, 2011, Reading Misreading, Vol. 3 (No 1), pp.37-68",
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"title_s":["Chain err-reading: Jane Eyre by Charlotte Brontë"],
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"citationRef_s":"<i>Etudes Anglaises</i>, 2008, Genre(s), 61 (3), pp.340-49",
"citationFull_s":"Thomas Dutoit. Homo-hetero-phono-graphy: on Quentin Tarantino's _Pulp Fiction_. <i>Etudes Anglaises</i>, 2008, Genre(s), 61 (3), pp.340-49. <a target=\"_blank\" href=\"https://hal.science/hal-01127815v1\">⟨hal-01127815⟩</a>",
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"citationFull_s":"Thomas Dutoit. The Disappearance of the Dead From Real and Imaginary Epitaphs of Seventeenth and Eighteenth Century England. Adrienne Lezzi-Hafter. <i>Les pierres de l'offrande. Autour de l'oeuvre de Christoph W. Clairmont</i>, 2, Akanthus Verlag für Archäologie, pp.136-159, 2003, 3-905083-19-1. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01131615v1\">⟨hal-01131615⟩</a>",
"title_s":["The Disappearance of the Dead From Real and Imaginary Epitaphs of Seventeenth and Eighteenth Century England"],
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"citationRef_s":"Max Duperray. <i>Le roman noir anglais dit 'Gothique'</i>, Ellipses, pp.20-28, 2000",
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"title_s":["Une cartographie du sublime au XVIIIe siècle"],
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"title_s":["Symbolic or Monetary Exchange: Money, Hospitality and the Home in Edith Wharton's _The House of Mirth_"],
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"citationRef_s":"<i>Les Mystères de Mrs Radcliffe. The Mysteries of Udolpho revisited. Nouveaux essais sur Les Mystères d'Udolphe d'Ann Radcliffe (1794)</i>, 1999",
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"citationRef_s":"Presses Universitaires de Provence. <i>Les mystères de Mrs Radcliffe. The Mysteries of Udolpho revisited. Nouveaux essais. </i>, pp.139-162, 1999",
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"citationRef_s":"Wim Tigges. <i>Moments of Moment. Aspects of the Literary Epiphany</i>, 25, Rodopi, pp.85-100, 1999, Studies in Literature, 90-420-0636-6",
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"citationRef_s":"<i>Modern Language Notes</i>, 1994, 109 (5), pp.847-871",
"citationFull_s":"Thomas Dutoit. Re-specting the Face as the Moral (of) Fiction in Mary Shelley's _Frankenstein_. <i>Modern Language Notes</i>, 1994, 109 (5), pp.847-871. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01588696v1\">⟨hal-01588696⟩</a>",
"title_s":["Re-specting the Face as the Moral (of) Fiction in Mary Shelley's _Frankenstein_"],
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"producedDateY_i":1994
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"citationRef_s":"<i>Colloquia Germanica</i>, 1994, 27 (3), pp.225-254",
"citationFull_s":"Thomas Dutoit. Ghost Stories, The Sublime and Fantastic Thirds in Kant and Kleist. <i>Colloquia Germanica</i>, 1994, 27 (3), pp.225-254. <a target=\"_blank\" href=\"https://hal.univ-lille.fr/hal-01148607v1\">⟨hal-01148607⟩</a>",
"title_s":["Ghost Stories, The Sublime and Fantastic Thirds in Kant and Kleist"],
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Bi-lingual edition of W. S. Merwin, Garden Time. Fanlac, 2022
Publication en septembre 2022
W. S. Merwin, Un temps au jardin, translation Thomas Dutoit and Cécile Roudeau, published by Editions Fanlac.
Cette publication contient notre traduction ainsi que l'intégralité de Garden Time (2016), avec notre essai "L'éblouissement de l'ombre: écrire à l'approche du crépuscule" ainsi que notre traduction de l'essai, "Le forêt de palmiers de W. S. Merwin," de Robert Becker.