Publications

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Penser les formes filmiques contemporaines, <a target=\"_blank\" href=\"https://www.uga-editions.com/menu-principal/collections-et-revues/toutes-nos-collections/cinema-emergences-resurgences/penser-les-formes-filmiques-contemporaines-1126697.kjsp?RH=1613401864160\">UGA Éditions</a>, pp.233-250, 2023, Cinéma, émergences-résurgences, 978-2-37747-383-0. <a target=\"_blank\" href=\"https://hal.science/hal-04014708\">⟨hal-04014708⟩</a>", "title_s":["Le rythme qui bat et l'oeil qui clignote : renversements temporels dans The Refusal of Time (2012) de William Kentridge"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-04014708", "docType_s":"COUV", "producedDateY_i":2023}, { "citationRef_s":"David Bowie: o homem que caiu na tela, <a target=\"_blank\" href=\"https://www.genioeditorial.com/product-page/david-bowie-o-homem-que-caiu-na-tela-1\">Gênio Editorial</a>, pp.368, 2021, Cinema, 978-65-00-17550-9", "citationFull_s":"Benjamin Léon. Basquiat – Traços de Uma Vida (1996): A modernidade das aparências. David Bowie: o homem que caiu na tela, <a target=\"_blank\" href=\"https://www.genioeditorial.com/product-page/david-bowie-o-homem-que-caiu-na-tela-1\">Gênio Editorial</a>, pp.368, 2021, Cinema, 978-65-00-17550-9. <a target=\"_blank\" href=\"https://hal.science/hal-03441694\">⟨hal-03441694⟩</a>", "title_s":["Basquiat – Traços de Uma Vida (1996): A modernidade das aparências"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-03441694", "docType_s":"COUV", "producedDateY_i":2021}, { "citationRef_s":"tetrade, 2021, 7", "citationFull_s":"Benjamin Léon. Figures spiralées et flux de conscience dans The Tree of Life de Terrence Malick (2011). tetrade, 2021, 7. <a target=\"_blank\" href=\"https://hal.science/hal-03233423\">⟨hal-03233423⟩</a>", "title_s":["Figures spiralées et flux de conscience dans The Tree of Life de Terrence Malick (2011)"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-03233423", "docType_s":"ART", "producedDateY_i":2021}, { "citationRef_s":"La Furia Umana, 40, <a target=\"_blank\" href=\"http://www.lafuriaumana.it\">La furia umana</a>, 2021, 2037-0431", "citationFull_s":"Andréa Franco, Benjamin Léon, Nicolas Tixier. Track the cities. [issue editor, N°40 La Furia Umana Journal]. La Furia Umana, 40, <a target=\"_blank\" href=\"http://www.lafuriaumana.it\">La furia umana</a>, 2021, 2037-0431. <a target=\"_blank\" href=\"https://hal.science/hal-03169583\">⟨hal-03169583⟩</a>", "title_s":["Track the cities. [issue editor, N°40 La Furia Umana Journal]", "Tracer les villes. [coord. du dossier, N°40 Revue La Furia Umana]"], "authFullName_s":["Andréa Franco", "Benjamin Léon", "Nicolas Tixier"], "halId_s":"hal-03169583", "docType_s":"ISSUE", "producedDateY_i":2021}, { "citationRef_s":"La Furia Umana, 2021, 40", "citationFull_s":"Andréa Franco, Benjamin Léon, Nicolas Tixier. Symphonies urbaines à rebours : Introduction au dossier Tracer les villes / Track the cities. La Furia Umana, 2021, 40. <a target=\"_blank\" href=\"https://hal.science/hal-03169668\">⟨hal-03169668⟩</a>", "title_s":["Symphonies urbaines à rebours"], "authFullName_s":["Andréa Franco", "Benjamin Léon", "Nicolas Tixier"], "halId_s":"hal-03169668", "docType_s":"ART", "producedDateY_i":2021}, { "citationRef_s":"La Furia Umana, 2021, 40", "citationFull_s":"Vincent Jacques, Andréa Franco, Benjamin Léon, Nicolas Texier. La ville ubiquitaire : vision urbaine technique et cinéma. La Furia Umana, 2021, 40. <a target=\"_blank\" href=\"https://hal.science/hal-04099939\">⟨hal-04099939⟩</a>", "title_s":["La ville ubiquitaire : vision urbaine technique et cinéma"], "authFullName_s":["Vincent Jacques", "Andréa Franco", "Benjamin Léon", "Nicolas Texier"], "halId_s":"hal-04099939", "docType_s":"ART", "producedDateY_i":2021}, { "citationRef_s":"La Furia Umana, 2021", "citationFull_s":"Vincent Jacques, Andréa Franco, Benjamin Léon, Nicolas Tixier. Tracer les villes : symphonies urbaines à rebours dans les dispositifs filmiques. La Furia Umana, 2021. <a target=\"_blank\" href=\"https://hal.science/hal-04099954\">⟨hal-04099954⟩</a>", "title_s":["Tracer les villes : symphonies urbaines à rebours dans les dispositifs filmiques"], "authFullName_s":["Vincent Jacques", "Andréa Franco", "Benjamin Léon", "Nicolas Tixier"], "halId_s":"hal-04099954", "docType_s":"ART", "producedDateY_i":2021}, { "citationRef_s":"Esferas, 2020, 16", "citationFull_s":"Benjamin Léon. Ruins of the industrial landscape in Gordon Matta-Clark's work: a critical entropy?. Esferas, 2020, 16. <a target=\"_blank\" href=\"https://hal.science/hal-02528259\">⟨hal-02528259⟩</a>", "title_s":["Ruins of the industrial landscape in Gordon Matta-Clark's work: a critical entropy?"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-02528259", "docType_s":"ART", "producedDateY_i":2020}, { "citationRef_s":"Philippe Dubois; Antonio Somaini; Enrico Camporesi; Éline Grignard. Paolo Gioli - Impressions sauvages, <a target=\"_blank\" href=\"https://www.lespressesdureel.com/ouvrage.php?id=7870&menu=0\">Les presses du réel</a>, pp.378-393, A paraître, 978-2-84066-771-1", "citationFull_s":"Benjamin Léon. Paolo Gioli : notices photographiques. Philippe Dubois; Antonio Somaini; Enrico Camporesi; Éline Grignard. Paolo Gioli - Impressions sauvages, <a target=\"_blank\" href=\"https://www.lespressesdureel.com/ouvrage.php?id=7870&menu=0\">Les presses du réel</a>, pp.378-393, A paraître, 978-2-84066-771-1. <a target=\"_blank\" href=\"https://hal.science/hal-02528283\">⟨hal-02528283⟩</a>", "title_s":["Paolo Gioli : notices photographiques"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-02528283", "docType_s":"COUV", "producedDateY_i":2020}, { "citationRef_s":"La part de l'œil - Revue de pensée des arts plastiques, 2020, Exposition/Espace/Cadre, 33/34, pp.310-327", "citationFull_s":"Benjamin Léon. De la spécificité du médium à celle du lieu comme spécificité : l’écran performatif du cadre dans le cinéma élargi. La part de l'œil - Revue de pensée des arts plastiques, 2020, Exposition/Espace/Cadre, 33/34, pp.310-327. <a target=\"_blank\" href=\"https://hal.science/hal-02528141\">⟨hal-02528141⟩</a>", "title_s":["De la spécificité du médium à celle du lieu comme spécificité : l’écran performatif du cadre dans le cinéma élargi"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-02528141", "docType_s":"ART", "producedDateY_i":2020}, { "citationRef_s":"La Furia Umana, 2019", "citationFull_s":"Benjamin Léon. De la paroi cellulaire à la transparence écranique (milieu, membrane, épaisseur). La Furia Umana, 2019. <a target=\"_blank\" href=\"https://hal.science/hal-02335523\">⟨hal-02335523⟩</a>", "title_s":["De la paroi cellulaire à la transparence écranique (milieu, membrane, épaisseur)"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-02335523", "docType_s":"ART", "producedDateY_i":2019}, { "citationRef_s":"Intexto , 2019, set./dez. 2019 (47), pp.20-38. <a target=\"_blank\" href=\"https://dx.doi.org/10.19132/1807-8583201947\">⟨10.19132/1807-8583201947⟩</a>", "citationFull_s":"Benjamin Léon. L’oeuvre au-delà d’elle-même: le land art saisi par l’oeil cinématographique, un geste qui documente pour faire oeuvre.. Intexto , 2019, set./dez. 2019 (47), pp.20-38. <a target=\"_blank\" href=\"https://dx.doi.org/10.19132/1807-8583201947\">⟨10.19132/1807-8583201947⟩</a>. <a target=\"_blank\" href=\"https://hal.science/hal-02274959\">⟨hal-02274959⟩</a>", "title_s":["L’oeuvre au-delà d’elle-même: le land art saisi par l’oeil cinématographique, un geste qui documente pour faire oeuvre.", "The work beyond itself: the land art seized by the cinematographic eye, a gesture that documents to do work."], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-02274959", "docType_s":"ART", "producedDateY_i":2019}, { "citationRef_s":"Camira , 2019", "citationFull_s":"Benjamin Léon. L’éloge de la résilience. Entretien avec Valérie Massadian pour la sortie de son film Milla. Camira , 2019. <a target=\"_blank\" href=\"https://hal.science/hal-02139358\">⟨hal-02139358⟩</a>", "title_s":["L’éloge de la résilience. Entretien avec Valérie Massadian pour la sortie de son film Milla"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-02139358", "docType_s":"ART", "producedDateY_i":2019}, { "citationRef_s":"Camira , 2019", "citationFull_s":"Benjamin Léon. Utopies et hétérotopies de l’espace cinématographique - Retour sur la 32e édition d’Entrevues Belfort. Camira , 2019. <a target=\"_blank\" href=\"https://hal.science/hal-02139240\">⟨hal-02139240⟩</a>", "title_s":["Utopies et hétérotopies de l’espace cinématographique - Retour sur la 32e édition d’Entrevues Belfort"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-02139240", "docType_s":"ART", "producedDateY_i":2019}, { "citationRef_s":"Mimesis Edizioni. Exposing the Moving Image - The Cinematic Medium Across World Fairs, Art Museums, and Cultural Exhibitions, <a target=\"_blank\" href=\"http://mimesisinternational.com/\">Mimesis International</a>, 2019, 9788869772306", "citationFull_s":"Benjamin Léon. The Space Frame and the architectural screens in displacement: inside Montreal’s Expo 67 from the past until today. Mimesis Edizioni. Exposing the Moving Image - The Cinematic Medium Across World Fairs, Art Museums, and Cultural Exhibitions, <a target=\"_blank\" href=\"http://mimesisinternational.com/\">Mimesis International</a>, 2019, 9788869772306. <a target=\"_blank\" href=\"https://hal.science/hal-02138569\">⟨hal-02138569⟩</a>", "title_s":["The Space Frame and the architectural screens in displacement: inside Montreal’s Expo 67 from the past until today"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-02138569", "docType_s":"COUV", "producedDateY_i":2019}, { "citationRef_s":"La Furia Umana, 2018", "citationFull_s":"Benjamin Léon. Travailler les écarts : Terreur Aveugle (1971) de Richard Fleischer. La Furia Umana, 2018. <a target=\"_blank\" href=\"https://hal.science/hal-01826052\">⟨hal-01826052⟩</a>", "title_s":["Travailler les écarts : Terreur Aveugle (1971) de Richard Fleischer"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01826052", "docType_s":"ART", "producedDateY_i":2018}, { "citationRef_s":"La Furia Umana, 2018, Confidential Report: Jean-Luc Godard, LFU/33", "citationFull_s":"Benjamin Léon. L’horizon en images. Retour sur Film Socialisme (JLG).. La Furia Umana, 2018, Confidential Report: Jean-Luc Godard, LFU/33. <a target=\"_blank\" href=\"https://hal.science/hal-02139097\">⟨hal-02139097⟩</a>", "title_s":["L’horizon en images. Retour sur Film Socialisme (JLG)."], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-02139097", "docType_s":"ART", "producedDateY_i":2018}, { "citationRef_s":"Herzogenrath, Bernd The Films of Bill Morrison. Aesthetics of the Archive. , <a target=\"_blank\" href=\"http://en.aup.nl/books/9789089649966-the-films-of-bill-morrison.html\">Amsterdam University Press </a>, 2017, 978 94 6298 996 6. <a target=\"_blank\" href=\"https://dx.doi.org/10.5117/9789089649966/CH03\">⟨10.5117/9789089649966/CH03⟩</a>", "citationFull_s":"Benjamin Léon. Ghost Trip Searching for Potential Myths. Herzogenrath, Bernd The Films of Bill Morrison. Aesthetics of the Archive. , <a target=\"_blank\" href=\"http://en.aup.nl/books/9789089649966-the-films-of-bill-morrison.html\">Amsterdam University Press </a>, 2017, 978 94 6298 996 6. <a target=\"_blank\" href=\"https://dx.doi.org/10.5117/9789089649966/CH03\">⟨10.5117/9789089649966/CH03⟩</a>. <a target=\"_blank\" href=\"https://hal.science/hal-01636715\">⟨hal-01636715⟩</a>", "title_s":["Ghost Trip Searching for Potential Myths"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01636715", "docType_s":"COUV", "producedDateY_i":2017}, { "citationRef_s":"Intexto , 2016, 36, pp.30-45. <a target=\"_blank\" href=\"https://dx.doi.org/10.19132/1807-8583201636.30-45\">⟨10.19132/1807-8583201636.30-45⟩</a>", "citationFull_s":"Benjamin Léon. Éloge de la matérialité perceptive des images: coexistence, hybridation et dépassements ontologiques (film vs vidéo). Intexto , 2016, 36, pp.30-45. <a target=\"_blank\" href=\"https://dx.doi.org/10.19132/1807-8583201636.30-45\">⟨10.19132/1807-8583201636.30-45⟩</a>. <a target=\"_blank\" href=\"https://hal.science/hal-01513671\">⟨hal-01513671⟩</a>", "title_s":["Éloge de la matérialité perceptive des images: coexistence, hybridation et dépassements ontologiques (film vs vidéo)", "Praise of perceptive materiality of the images: coexistence, hybridization and ontological overruns (movie vs. video)", "Elogio da materialidade perceptiva das imagens: coexistência, hibridação e ultrapassamentos ontológicos (filme vs vídeo)"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01513671", "docType_s":"ART", "producedDateY_i":2016}, { "citationRef_s":"La Furia Umana, 2016, LFU/29", "citationFull_s":"Benjamin Léon. Jack Smith/Andy Warhol : l'attirance des contraires. La Furia Umana, 2016, LFU/29. <a target=\"_blank\" href=\"https://hal.science/hal-02139350\">⟨hal-02139350⟩</a>", "title_s":["Jack Smith/Andy Warhol : l'attirance des contraires"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-02139350", "docType_s":"ART", "producedDateY_i":2016}, { "citationRef_s":"La Furia Umana, 2015, No 9", "citationFull_s":"Benjamin Léon, Enrico Camporesi. A short Trip Through the Mysterious World of Mary Helena Clark's Films. An Interview. . La Furia Umana, 2015, No 9. <a target=\"_blank\" href=\"https://hal-univ-paris3.archives-ouvertes.fr/hal-01567419\">⟨hal-01567419⟩</a>", "title_s":["A short Trip Through the Mysterious World of Mary Helena Clark's Films. An Interview."], "authFullName_s":["Benjamin Léon", "Enrico Camporesi"], "halId_s":"hal-01567419", "docType_s":"ART", "producedDateY_i":2015}, { "citationRef_s":"Camira , 2015", "citationFull_s":"Benjamin Léon. Parcourir un espace, renverser le réel : Compte-rendu du Festival de Cine de Murcia (IBAFF). Camira , 2015. <a target=\"_blank\" href=\"https://hal-univ-paris3.archives-ouvertes.fr/hal-01567443\">⟨hal-01567443⟩</a>", "title_s":["Parcourir un espace, renverser le réel"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01567443", "docType_s":"ART", "producedDateY_i":2015}, { "citationRef_s":"La Furia Umana, 2015, LFU/26", "citationFull_s":"Benjamin Léon. L’image rayée ou le médium ouvert : cadre absorbant et cadre projectif (Barnett Newman, Paul Sharits, Mona Hatoum). La Furia Umana, 2015, LFU/26. <a target=\"_blank\" href=\"https://hal.science/hal-02139196\">⟨hal-02139196⟩</a>", "title_s":["L’image rayée ou le médium ouvert : cadre absorbant et cadre projectif (Barnett Newman, Paul Sharits, Mona Hatoum)"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-02139196", "docType_s":"ART", "producedDateY_i":2015}, { "citationRef_s":"La Furia Umana, 2014, LFU/21", "citationFull_s":"Benjamin Léon. Peter Hutton et les fantômes de l’Hudson River School : L’image suspendue (espace, regard, mythe) . La Furia Umana, 2014, LFU/21. <a target=\"_blank\" href=\"https://hal-univ-paris3.archives-ouvertes.fr/hal-01514989\">⟨hal-01514989⟩</a>", "title_s":["Peter Hutton et les fantômes de l’Hudson River School : L’image suspendue (espace, regard, mythe)"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01514989", "docType_s":"ART", "producedDateY_i":2014}, { "citationRef_s":"Aniki : Revista Portuguesa da Imagem em Movimento, 2014, Art and Cinema, Vol 1 (No 2), pp.393-401", "citationFull_s":"Benjamin Léon. The effects of presence, delocalisation and relocation of images: the medium reaching for space? \n\n. Aniki : Revista Portuguesa da Imagem em Movimento, 2014, Art and Cinema, Vol 1 (No 2), pp.393-401. <a target=\"_blank\" href=\"https://hal-univ-paris3.archives-ouvertes.fr/hal-01540034\">⟨hal-01540034⟩</a>", "title_s":["The effects of presence, delocalisation and relocation of images: the medium reaching for space?"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01540034", "docType_s":"ART", "producedDateY_i":2014}, { "citationRef_s":"La Furia Umana, 2014, 18", "citationFull_s":"Benjamin Léon. Composer la lumière par le corporel dans le cinéma d'Andy Warhol. La Furia Umana, 2014, 18. <a target=\"_blank\" href=\"https://hal.science/hal-01513659\">⟨hal-01513659⟩</a>", "title_s":["Composer la lumière par le corporel dans le cinéma d'Andy Warhol"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01513659", "docType_s":"ART", "producedDateY_i":2014}, { "citationRef_s":"La Furia Umana, 2013, 4, pp.91-102", "citationFull_s":"Benjamin Léon. L'écran dans l'écran : Notes sur le plan-séquence chez Brian De Palma. La Furia Umana, 2013, 4, pp.91-102. <a target=\"_blank\" href=\"https://hal.science/hal-01513684\">⟨hal-01513684⟩</a>", "title_s":["L'écran dans l'écran : Notes sur le plan-séquence chez Brian De Palma"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01513684", "docType_s":"ART", "producedDateY_i":2013}, { "citationRef_s":"La Furia Umana, 2013, 3, pp.242-248", "citationFull_s":"Benjamin Léon. Union et désunion des corps. Quelques notes sur Desistfilm de Stan Brakhage. La Furia Umana, 2013, 3, pp.242-248. <a target=\"_blank\" href=\"https://hal.science/hal-01513640\">⟨hal-01513640⟩</a>", "title_s":["Union et désunion des corps. Quelques notes sur Desistfilm de Stan Brakhage"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01513640", "docType_s":"ART", "producedDateY_i":2013}, { "citationRef_s":"Vertigo, 2013, L'empire de l'adolescence 45, pp.92-99", "citationFull_s":"Benjamin Léon. Back in Tulsa (Sur le cinéma de Larry Clark) : Retour sur le premier film de Larry Clark, l'expérimental Tulsa (1968). Vertigo, 2013, L'empire de l'adolescence 45, pp.92-99. <a target=\"_blank\" href=\"https://hal.science/hal-01513611\">⟨hal-01513611⟩</a>", "title_s":["Back in Tulsa (Sur le cinéma de Larry Clark)"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01513611", "docType_s":"ART", "producedDateY_i":2013}, { "citationRef_s":"Pip Chodorov Jonas Mekas, Films, Vidéos et installations (1962 - 2012) , <a target=\"_blank\" href=\"http://www.paris-experimental.asso.fr/\"></a>, pp.19-50, 2012, 978-2-912539-45-8", "citationFull_s":"Benjamin Léon. Paradis, perdu et retrouvé . Pip Chodorov Jonas Mekas, Films, Vidéos et installations (1962 - 2012) , <a target=\"_blank\" href=\"http://www.paris-experimental.asso.fr/\"></a>, pp.19-50, 2012, 978-2-912539-45-8. <a target=\"_blank\" href=\"https://hal.science/hal-01513705\">⟨hal-01513705⟩</a>", "title_s":["Paradis, perdu et retrouvé", "Paradise, lost and refound"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01513705", "docType_s":"COUV", "producedDateY_i":2012}, { "citationRef_s":"X MAGIS – Gorizia International Film Studies Spring School » / Call for: Cinema and Contemporary Visual Arts, Leonardo Quaresima Mar 2012, Gorizia Italie. pp.101-110", "citationFull_s":"Benjamin Léon. Migration de dispositifs et de visages chez Andy Warhol . X MAGIS – Gorizia International Film Studies Spring School » / Call for: Cinema and Contemporary Visual Arts, Leonardo Quaresima Mar 2012, Gorizia Italie. pp.101-110. <a target=\"_blank\" href=\"https://hal-univ-paris3.archives-ouvertes.fr/hal-01515615\">⟨hal-01515615⟩</a>", "title_s":["Migration de dispositifs et de visages chez Andy Warhol"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01515615", "docType_s":"COMM", "producedDateY_i":2012}, { "citationRef_s":"Le souci du monde , École Doctorale Arts & Médias - ED 267, Nov 2011, Paris France. pp.27-33", "citationFull_s":"Benjamin Léon. L’expérience de la normalité anormale, sur quelques photographies de Diane Arbus . Le souci du monde , École Doctorale Arts & Médias - ED 267, Nov 2011, Paris France. pp.27-33. <a target=\"_blank\" href=\"https://hal.science/hal-01517488\">⟨hal-01517488⟩</a>", "title_s":["L’expérience de la normalité anormale, sur quelques photographies de Diane Arbus"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01517488", "docType_s":"COMM", "producedDateY_i":2011}, { "citationRef_s":"IX MAGIS – Gorizia International Film Studies Spring School »/Call for : Cinema and Contemporary Visual Arts, « The Archive », Leonardo Quaresima Apr 2011, Gorizia Italie. pp.151-159", "citationFull_s":"Benjamin Léon. L'image comme archive chez Derek Jarman: Entre cinéma et peinture, une poétique de l'effacement. IX MAGIS – Gorizia International Film Studies Spring School »/Call for : Cinema and Contemporary Visual Arts, « The Archive », Leonardo Quaresima Apr 2011, Gorizia Italie. pp.151-159. <a target=\"_blank\" href=\"https://hal-univ-paris3.archives-ouvertes.fr/hal-01515653\">⟨hal-01515653⟩</a>", "title_s":["L'image comme archive chez Derek Jarman: Entre cinéma et peinture, une poétique de l'effacement"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01515653", "docType_s":"COMM", "producedDateY_i":2011}, { "citationRef_s":"Le coût et la gratuité , École doctorale Arts & Médias Jun 2010, Venise, Italie. pp.139-145", "citationFull_s":"Benjamin Léon. Le corps figuré dans le cinéma d’Andy Warhol . Le coût et la gratuité , École doctorale Arts & Médias Jun 2010, Venise, Italie. pp.139-145. <a target=\"_blank\" href=\"https://hal-univ-paris3.archives-ouvertes.fr/hal-01516004\">⟨hal-01516004⟩</a>", "title_s":["Le corps figuré dans le cinéma d’Andy Warhol"], "authFullName_s":["Benjamin Léon"], "halId_s":"hal-01516004", "docType_s":"COMM", "producedDateY_i":2010}] }}

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Benjamin LEON